{"id":1248,"date":"2021-02-08T19:25:22","date_gmt":"2021-02-08T19:25:22","guid":{"rendered":"https:\/\/tei.acm.org\/2021\/?page_id=1248"},"modified":"2021-02-17T15:00:15","modified_gmt":"2021-02-17T15:00:15","slug":"swatchbook","status":"publish","type":"page","link":"https:\/\/tei.acm.org\/2021\/swatchbook\/","title":{"rendered":"TEI2021 Swatchbook"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">The Craft of Interaction<\/h2>\n\n\n\n<p>The art of interaction implies its craft \u2013 our human ability to produce quality workmanship that makes the experience of interacting with technology artful. What is quality workmanship? It is knowledge of materials that comes from time spent in conversation with them. An attention to listen to their qualities, and to explore together the potentials of their material properties and our human properties. It is also increasingly relevant that our material processes consider not only the immediate material at hand, but their origins and the implications of their entanglements with processes of life on earth.<\/p>\n\n\n\n<p>To highlight the importance of the skilled craftsmanship that makes new technologies truly artful, the <a href=\"https:\/\/tei.acm.org\/2021\/participate\/student-design-challenge\/\">Student Design Challenge at TEI 2021<\/a> collects and shares tangible, embedded, and embodied craftsmanship.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The TEI2021 Swatchbook<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1067\" height=\"712\" src=\"https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/DSC7800-copy_web-edited-1.jpg\" alt=\"This picture illustrates the closed TEI Swatchbook 2021. It has a bright pink cover.\" class=\"wp-image-1589\" srcset=\"https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/DSC7800-copy_web-edited-1.jpg 1067w, https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/DSC7800-copy_web-edited-1-300x200.jpg 300w, https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/DSC7800-copy_web-edited-1-1024x683.jpg 1024w, https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/DSC7800-copy_web-edited-1-768x512.jpg 768w\" sizes=\"auto, (max-width: 1067px) 100vw, 1067px\" \/><figcaption>The TEI Swatchbook 2021<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Swatches<\/h2>\n\n\n\n<p>Click on the images to access individual Swatch documentations.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/tei.acm.org\/2021\/swatchbook\/cyborg-crafts-second-skin-soft-keen-interaction\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/cyborg-copy_web-1024x683.jpg\" alt=\"This picture illustrates the open TEI Swatchbook 2021. It introduces the project Cyborg Crafts: Second SKIN (Soft Keen INteraction) by Suyun &quot;Sandra&quot; Bae and Mary Etta West.\" class=\"wp-image-1491\" srcset=\"https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/cyborg-copy_web-1024x683.jpg 1024w, https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/cyborg-copy_web-300x200.jpg 300w, https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/cyborg-copy_web-768x512.jpg 768w, https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/cyborg-copy_web.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption>Cyborg Crafts: Second SKIN (Soft Keen INteraction) by Suyun &#8220;Sandra&#8221; Bae and Mary Etta West<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/tei.acm.org\/2021\/swatchbook\/the-e-darning-sampler\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/edarning-copy_web-1024x683.jpg\" alt=\"The next page of the swatchbook introduces the E-darning sampler by Lee Jones.\" class=\"wp-image-1493\" srcset=\"https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/edarning-copy_web-1024x683.jpg 1024w, https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/edarning-copy_web-300x200.jpg 300w, https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/edarning-copy_web-768x512.jpg 768w, https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/edarning-copy_web.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption>The E-darning Sampler by Lee Jones<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/tei.acm.org\/2021\/swatchbook\/fiber-sense\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/FiberSense-copy_web-1024x683.jpg\" alt=\"The next page presents fiber-sense by Aaron Chooi.\" class=\"wp-image-1494\" srcset=\"https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/FiberSense-copy_web-1024x683.jpg 1024w, https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/FiberSense-copy_web-300x200.jpg 300w, https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/FiberSense-copy_web-768x512.jpg 768w, https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/FiberSense-copy_web.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption>Fiber-Sense by Aaron Chooi<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/tei.acm.org\/2021\/swatchbook\/pixels-in-the-real-world\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/pixel-copy_web-1024x683.jpg\" alt=\"This picture introduces the project Pixels in the Real World by Geert Roumen.\" class=\"wp-image-1495\" srcset=\"https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/pixel-copy_web-1024x683.jpg 1024w, https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/pixel-copy_web-300x200.jpg 300w, https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/pixel-copy_web-768x512.jpg 768w, https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/pixel-copy_web.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption>Pixels in the Real World by Geert Roumen<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/tei.acm.org\/2021\/swatchbook\/polymerized-tape\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/polymerized-copy_web-1024x683.jpg\" alt=\"This picture introduces Polymerized Tape by Narjes Pourjafarian and Paul Strohmeier.\" class=\"wp-image-1496\" srcset=\"https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/polymerized-copy_web-1024x683.jpg 1024w, https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/polymerized-copy_web-300x200.jpg 300w, https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/polymerized-copy_web-768x512.jpg 768w, https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/polymerized-copy_web.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption>Polymerized Tape by Narjes Pourjafarian and Paul Strohmeier<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/tei.acm.org\/2021\/swatchbook\/slider-swatch\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/slider-copy_web-1024x683.jpg\" alt=\"The next page of the swatchbook introduces the project Slider Swatch by Pia Obermaier, Stela Blagova, Joana Breyton and Anna Blumenkranz.\" class=\"wp-image-1497\" srcset=\"https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/slider-copy_web-1024x683.jpg 1024w, https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/slider-copy_web-300x200.jpg 300w, https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/slider-copy_web-768x512.jpg 768w, https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/slider-copy_web.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption>Slider Swatch by Pia Obermaier, Stela Blagova, Joana Breyton and Anna Blumenkranz<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/tei.acm.org\/2021\/swatchbook\/the-undyeing-swatch\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/undyeing-copy_web-1024x683.jpg\" alt=\"Finally, the last picture of the swatchbook introduces the project The Undyeing Swatch by Fiona Bell.\" class=\"wp-image-1498\" srcset=\"https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/undyeing-copy_web-1024x683.jpg 1024w, https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/undyeing-copy_web-300x200.jpg 300w, https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/undyeing-copy_web-768x512.jpg 768w, https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/undyeing-copy_web.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption>The Undyeing Swatch by Fiona Bell<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">THE TEI2021 Swatch Exchange Jury<\/h2>\n\n\n\n<p><a href=\"http:\/\/leahbuechley.com\/\">Leah Buechley<\/a>&nbsp;\u2013 University of New Mexiko, NM, USA<\/p>\n\n\n\n<p><a href=\"http:\/\/artfordorks.com\/\">Laura Devendorf<\/a>&nbsp;\u2013 University of Colorado, Boulder, CO, USA<\/p>\n\n\n\n<p><a href=\"http:\/\/www.rachelfreire.com\/\">Rachel Freire<\/a>&nbsp;\u2013 independent artist and designer, London, UK<\/p>\n\n\n\n<p><a href=\"https:\/\/www.beritgreinke.net\/\">Berit Greinke<\/a>&nbsp;\u2013 Berlin University of the Arts, DE<\/p>\n\n\n\n<p><a href=\"http:\/\/thesoftcircuiteer.net\/\">Liza Stark<\/a>&nbsp;\u2013 Parsons The New School for Design, New York, NY, USA<\/p>\n\n\n\n<p><a href=\"http:\/\/embodimentlabs.org\/\">Paul Strohmeier<\/a>&nbsp;\u2013 Saarland University, DE<\/p>\n\n\n\n<p><a href=\"http:\/\/vasilikitsaknaki.com\/\">Vasiliki Tsaknaki<\/a>&nbsp;\u2013 IT University of Copenhagen, DK<\/p>\n\n\n\n<p><a href=\"https:\/\/clementzheng.info\/\">Clement Zheng<\/a>&nbsp;\u2013 National University of Singapore, SG<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">CHAIRS<\/h2>\n\n\n\n<p><a href=\"https:\/\/www.plusea.at\/\">Hannah Perner-Wilson<\/a>&nbsp;\u2013 University of Performing Arts Ernst Busch, DE<\/p>\n\n\n\n<p><a href=\"http:\/\/www.ireneposch.net\/\">Irene Posch<\/a>&nbsp;\u2013 University of Art and Design, Linz, AT<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Craft of Interaction The art of interaction implies its craft \u2013 our human ability to produce quality workmanship that makes the experience of interacting with technology artful. What is quality workmanship? It is knowledge of materials that comes from time spent in conversation with them. An attention to listen to their qualities, and to [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1248","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>TEI2021 Swatchbook &#8211; TEI 2021<\/title>\n<meta name=\"description\" content=\"Online version of the TEI 2021 Swatchbook\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tei.acm.org\/2021\/swatchbook\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"TEI2021 Swatchbook &#8211; TEI 2021\" \/>\n<meta property=\"og:description\" content=\"Online version of the TEI 2021 Swatchbook\" \/>\n<meta property=\"og:url\" content=\"https:\/\/tei.acm.org\/2021\/swatchbook\/\" \/>\n<meta property=\"og:site_name\" content=\"TEI 2021\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/teiconf\/\" \/>\n<meta property=\"article:modified_time\" content=\"2021-02-17T15:00:15+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/tei.acm.org\/2021\/wp-content\/uploads\/2021\/02\/DSC7800-copy_web-edited-1.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@tei_conf\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/tei.acm.org\\\/2021\\\/swatchbook\\\/\",\"url\":\"https:\\\/\\\/tei.acm.org\\\/2021\\\/swatchbook\\\/\",\"name\":\"TEI2021 Swatchbook &#8211; 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