{"id":61,"date":"2023-02-26T20:00:13","date_gmt":"2023-02-26T20:00:13","guid":{"rendered":"https:\/\/tei.acm.org\/2024\/?page_id=61"},"modified":"2023-10-11T07:55:26","modified_gmt":"2023-10-11T07:55:26","slug":"call-for-pictorials","status":"publish","type":"page","link":"https:\/\/tei.acm.org\/2024\/index.php\/call-for-pictorials\/","title":{"rendered":"Call for Pictorials"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"61\" class=\"elementor elementor-61\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2183eab elementor-section-stretched elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2183eab\" data-element_type=\"section\" data-settings=\"{&quot;stretch_section&quot;:&quot;section-stretched&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-43b9a9b3\" data-id=\"43b9a9b3\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-12a2784c elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"12a2784c\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.17.0 - 08-11-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p><!-- wp:heading {\"textColor\":\"orange\"} --><\/p>\n<h2 class=\"wp-block-heading has-orange-color has-text-color\">Important Dates<\/h2>\n<p><!-- \/wp:heading --><\/p>\n<p><!-- wp:table {\"hasFixedLayout\":true,\"textColor\":\"orange\",\"className\":\"is-style-stripes\"} --><\/p>\n<figure class=\"wp-block-table is-style-stripes\">\n<table class=\"has-orange-color has-text-color has-fixed-layout\">\n<thead>\n<tr>\n<th class=\"has-text-align-left\" data-align=\"left\"><strong>Event<\/strong><\/th>\n<th class=\"has-text-align-left\" data-align=\"left\"><strong>Deadline<\/strong><\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td class=\"has-text-align-left\" data-align=\"left\">Abstract deadline<\/td>\n<td class=\"has-text-align-left\" data-align=\"left\"><del>July 25, 2023 AoE<\/del><\/td>\n<\/tr>\n<tr>\n<td class=\"has-text-align-left\" data-align=\"left\">Full submission deadline<\/td>\n<td class=\"has-text-align-left\" data-align=\"left\"><del>August 1, 2023 AoE<\/del><\/td>\n<\/tr>\n<tr>\n<td class=\"has-text-align-left\" data-align=\"left\">Notification of conditional acceptance<\/td>\n<td class=\"has-text-align-left\" data-align=\"left\"><del>October 9, 2023 AoE<\/del><\/td>\n<\/tr>\n<tr>\n<td class=\"has-text-align-left\" data-align=\"left\">Camera-ready deadline<\/td>\n<td class=\"has-text-align-left\" data-align=\"left\">November 15, 2023 AoE<\/td>\n<\/tr>\n<tr>\n<td class=\"has-text-align-left\" data-align=\"left\">TEI 2024 conference<\/td>\n<td class=\"has-text-align-left\" data-align=\"left\">February 11-14, 2024<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<figcaption class=\"wp-element-caption\"><a href=\"https:\/\/time.is\/Anywhere_on_Earth\">Check your local time in AoE<\/a>.<\/figcaption>\n<\/figure>\n<p><!-- \/wp:table --><\/p>\n<p><!-- wp:paragraph {\"textColor\":\"orange\"} --><\/p>\n<p class=\"has-orange-color has-text-color\" style=\"text-align: left;\">Full papers and pictorials published at TEI 2024 are ACM archival publications and will be made available through the ACM in the Digital Library. Pictorials at TEI leverage the power of visual communication for physical design objects, documenting tangible research methods and results.<\/p>\n<p style=\"text-align: left;\"><!-- \/wp:paragraph --><\/p>\n<p style=\"text-align: left;\"><!-- wp:heading {\"textColor\":\"orange\"} --><\/p>\n<h2 class=\"wp-block-heading has-orange-color has-text-color\" style=\"text-align: left;\">General Information<\/h2>\n<p style=\"text-align: left;\"><!-- \/wp:heading --><\/p>\n<p style=\"text-align: left;\"><!-- wp:paragraph {\"textColor\":\"orange\"} --><\/p>\n<p class=\"has-orange-color has-text-color\" style=\"text-align: left;\">Given the increasing popularity and weight of pictorial contributions across academic conferences (DIS, C&amp;C, IASDR), TEI2024 will continue offering a Pictorials track. Pictorials were first introduced at DIS2014 with the aim of supporting the presentation and communication of research ideas, design practice, methods, provocations, insights, and contributions in a more visually rich format. Since then, Pictorials have been successfully implemented in DIS and C&amp;C conferences and were implemented in TEI for the first time in 2020.<\/p>\n<p class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\u00a0<\/p>\n<p style=\"text-align: left;\"><!-- \/wp:paragraph --><\/p>\n<p style=\"text-align: left;\"><!-- wp:paragraph {\"textColor\":\"orange\"} --><\/p>\n<p class=\"has-orange-color has-text-color\" style=\"text-align: left;\">This call is adapted from texts composed by previous Pictorials chairs from TEI 2020-2023. We thank the previous years\u2019 Pictorial chairs of DIS, C&amp;C, and TEI for the ground-breaking work, inspiration and continuous development of Pictorials as a type of contribution format as well as research output in its own right.<\/p>\n<p style=\"text-align: left;\"><!-- \/wp:paragraph --><\/p>\n<p style=\"text-align: left;\"><!-- wp:heading {\"textColor\":\"orange\"} --><\/p>\n<h2 class=\"wp-block-heading has-orange-color has-text-color\" style=\"text-align: left;\">What are pictorials?<\/h2>\n<p style=\"text-align: left;\"><!-- \/wp:heading --><\/p>\n<p style=\"text-align: left;\"><!-- wp:paragraph {\"textColor\":\"orange\"} --><\/p>\n<p class=\"has-orange-color has-text-color\" style=\"text-align: left;\">Pictorials are papers in which the visual components (e.g., diagrams, sketches, illustrations, renderings, photographs, annotated photographs, and collages) play a major role in conveying ideas and research contributions in addition to the accompanying text. Pictorials leverage the power of visual communication with the effective use of visual languages and high-quality images. They may have a practical or theoretical nature or both.<\/p>\n<p class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\u00a0<\/p>\n<p style=\"text-align: left;\"><!-- \/wp:paragraph --><\/p>\n<p style=\"text-align: left;\"><!-- wp:paragraph {\"textColor\":\"orange\"} --><\/p>\n<p class=\"has-orange-color has-text-color\" style=\"text-align: left;\">Through Pictorials, researchers, practitioners, industry professionals, artists, designers, and students from various disciplines, including engineering, interaction design, computer science, product design, media studies, and the arts are encouraged to express and unpack their design practices and projects in visually rich ways.<\/p>\n<p class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\u00a0<\/p>\n<p style=\"text-align: left;\"><!-- \/wp:paragraph --><\/p>\n<p style=\"text-align: left;\"><!-- wp:paragraph {\"textColor\":\"orange\"} --><\/p>\n<p class=\"has-orange-color has-text-color\" style=\"text-align: left;\">Pictorials are meant to contribute to knowledge in themselves rather than merely document concepts, methods, and processes that we already know. Visual components can be contributions to design knowledge in and of themselves, as a form of making, but they should also be accompanied by a narrative that helps the TEI audience understand what the knowledge contribution is. It is this scaffolding that transforms a Pictorial into research and guarantees that it can be treated as an argument in research discourse. At the same time, the textual narrative should be just that \u2013 a scaffolding to support the contribution of the visual content.<\/p>\n<p style=\"text-align: left;\"><!-- \/wp:paragraph --><\/p>\n<p style=\"text-align: left;\"><!-- wp:heading {\"textColor\":\"orange\"} --><\/p>\n<h2 class=\"wp-block-heading has-orange-color has-text-color\" style=\"text-align: left;\">What to submit?<\/h2>\n<p style=\"text-align: left;\"><!-- \/wp:heading --><\/p>\n<p style=\"text-align: left;\"><!-- wp:paragraph {\"textColor\":\"orange\"} --><\/p>\n<p class=\"has-orange-color has-text-color\" style=\"text-align: left;\">We welcome submissions related to the rapidly developing field of tangible, embedded, and embodied interaction. In this broad context, submissions may cover diverse types of topics that include (but are not limited to):<\/p>\n<p style=\"text-align: left;\"><!-- \/wp:paragraph --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list {\"textColor\":\"orange\"} --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\"><!-- wp:list-item --><\/ul>\n<\/li>\n<\/ul>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Design decisions and methods employed to create new interactive techniques and tools.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Artistic explorations or practice-based research in or through tangible computational media technologies to support new human-machine interactions.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Perspectives on tangible, embedded, and embodied interaction ranging from arts to science and from design to education.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Other insights, lessons learned, practices or processes of designing and evaluating tangible, embedded, and embodied interaction technologies.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- \/wp:list --><\/p>\n<p style=\"text-align: left;\"><!-- wp:heading {\"level\":4,\"textColor\":\"orange\"} --><\/p>\n<h5 class=\"wp-block-heading has-orange-color has-text-color\" style=\"text-align: left;\">\u26a0\ufe0fSome important points to consider when preparing your Pictorials:<\/h5>\n<p style=\"text-align: left;\"><!-- \/wp:heading --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list {\"ordered\":true,\"textColor\":\"orange\"} --><\/p>\n<ol class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ol class=\"has-orange-color has-text-color\"><!-- wp:list-item --><\/ol>\n<\/li>\n<\/ol>\n<ol style=\"text-align: left;\">\n<li>Does your work require a Pictorial format, or would it be clearer in a more conventional textual form?<\/li>\n<li>Is the contribution that is presented original and complete? If not, you may want to consider a WIP submission instead.<\/li>\n<li>Is the production value for the images and\/or diagrams of high quality?<\/li>\n<li>Are images\/diagrams emphasized over text as the primary means of communicating the research contribution?<\/li>\n<li>Are the implications for the TEI research community clear and sound? These may be descriptive, analytic, generative, synthesis-oriented, and even manifestos. In addition, the related conclusion or claim is reached through discussion, reflection, and\/or evaluation of some sort.<\/li>\n<li>Does every image used in the Pictorial play a meaningful role and clearly present the idea on its own or with the support of text?<\/li>\n<li>Does the placement of images and text compose a good narrative?<\/li>\n<\/ol>\n<h2 style=\"text-align: left;\"><span style=\"color: #000000;\">Submission Guidelines<\/span><\/h2>\n<p style=\"text-align: left;\"><!-- \/wp:heading --><\/p>\n<p style=\"text-align: left;\"><!-- wp:paragraph {\"textColor\":\"orange\"} --><\/p>\n<p class=\"has-orange-color has-text-color\" style=\"text-align: left;\">Pictorials must be submitted in the TEI2024 Pictorials format (see below) and not exceed <strong>12 pages<\/strong>, excluding references. Submissions will be reviewed in <strong>a double-blind process<\/strong>, and authors must ensure that their names and affiliations do not appear on the submission. The author and affiliation sections of the template must be left blank. In case of acceptance, authors will be asked to provide a camera-ready copy that includes this information, along with any recommended improvements as suggested by the reviewers. The first page of the submission should include the submission\u2019s title and a written <strong>abstract of no more than 150 words<\/strong> succinctly describing the background and context of the pictorial as well as its contribution to the TEI community. Further written parts known from other conference formats such as Introduction, Conclusion, Discussion, Acknowledgements, and References are optional. The main part of the submission should be an annotated visual composition and we encourage submissions to use the format creatively. All submissions should be anonymous and submitted via the TEI2024 <a href=\"https:\/\/new.precisionconference.com\/submissions\">Precision Conference (PCS) <\/a>system by <strong>25 July 2023<\/strong> (abstract and authors\u2019 info) and <strong>1 August 2023<\/strong> (full submissions).<\/p>\n<p class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\u00a0<\/p>\n<p style=\"text-align: left;\"><!-- \/wp:paragraph --><\/p>\n<p style=\"text-align: left;\"><!-- wp:paragraph {\"textColor\":\"orange\"} --><\/p>\n<p class=\"has-orange-color has-text-color\" style=\"text-align: left;\">We strongly advise you to use the InDesign template to compose your Pictorial. Alternatively, the MS-Word or PowerPoint templates are also available as accessible options.<\/p>\n<p style=\"text-align: left;\"><!-- \/wp:paragraph --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list {\"textColor\":\"orange\"} --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\"><!-- wp:list-item --><\/ul>\n<\/li>\n<\/ul>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li><a href=\"https:\/\/tei.acm.org\/2024\/wp-content\/uploads\/2023\/03\/TEI2024-Pictorials-InDesign-template-Folder-20230303T133400Z-001.zip\">InDesign template\u00a0<\/a><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li><a href=\"https:\/\/tei.acm.org\/2024\/wp-content\/uploads\/2023\/03\/TEI2024-Pictorials-PowerPoint-template-20230303T133404Z-001.zip\">PowerPoint template<\/a><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li><a href=\"https:\/\/tei.acm.org\/2024\/wp-content\/uploads\/2023\/03\/TEI2024-Pictorials-Word-template-20230303T133407Z-001.zip\">Word template<\/a><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- \/wp:list --><\/p>\n<p style=\"text-align: left;\"><!-- wp:heading {\"textColor\":\"orange\"} --><\/p>\n<h2 class=\"wp-block-heading has-orange-color has-text-color\" style=\"text-align: left;\">Review and Selection<\/h2>\n<p style=\"text-align: left;\"><!-- \/wp:heading --><\/p>\n<p style=\"text-align: left;\"><!-- wp:paragraph {\"textColor\":\"orange\"} --><\/p>\n<p class=\"has-orange-color has-text-color\" style=\"text-align: left;\">Submissions will be reviewed in a double-blind process, and authors must ensure that their names and affiliations do not appear on the submitted papers. The author and affiliation sections of the template must be left blank. In case of acceptance, authors will be asked to provide a camera-ready copy that includes this information, along with any recommended improvements as suggested by the reviewers.<\/p>\n<p style=\"text-align: left;\">\u00a0<\/p>\n<p style=\"text-align: left;\"><!-- \/wp:paragraph --><\/p>\n<p style=\"text-align: left;\"><!-- wp:paragraph {\"textColor\":\"orange\"} --><\/p>\n<p class=\"has-orange-color has-text-color\" style=\"text-align: left;\">Furthermore, all references should remain intact. If you previously published a paper and your current submission builds on that work, the reference \u2013 with authors \u2013 should appear in the references. Submissions should <strong>NOT <\/strong>have blank references (e.g., \u201c12. REMOVED FOR REVIEWING\u201d). We encourage authors to refer to their previous work in the third person. Further suppression of identity in the body of the paper, while encouraged, is left to the authors\u2019 discretion.<\/p>\n<p class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\u00a0<\/p>\n<p style=\"text-align: left;\"><!-- \/wp:paragraph --><\/p>\n<p style=\"text-align: left;\"><!-- wp:paragraph {\"textColor\":\"orange\"} --><\/p>\n<p class=\"has-orange-color has-text-color\" style=\"text-align: left;\">Confidentiality of submissions will be maintained during the review process. All rejected submissions will be kept confidential in perpetuity. All submitted materials for accepted submissions will be kept confidential until the start of the conference.<\/p>\n<p class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\u00a0<\/p>\n<p style=\"text-align: left;\"><!-- \/wp:paragraph --><\/p>\n<p style=\"text-align: left;\"><!-- wp:paragraph {\"textColor\":\"orange\"} --><\/p>\n<p class=\"has-orange-color has-text-color\" style=\"text-align: left;\">For camera-ready submissions, we will ask that all authors make their pictorials accessible by making sure the document follows best practices in accessibility. Please see the following attachment for more information: PDF accessibility guideline.<\/p>\n<p style=\"text-align: left;\"><!-- \/wp:paragraph --><\/p>\n<p style=\"text-align: left;\"><!-- wp:heading {\"textColor\":\"orange\"} --><\/p>\n<h2 class=\"wp-block-heading has-orange-color has-text-color\" style=\"text-align: left;\">Attendance<\/h2>\n<p style=\"text-align: left;\"><!-- \/wp:heading --><\/p>\n<p style=\"text-align: left;\"><!-- wp:paragraph {\"textColor\":\"orange\"} --><\/p>\n<p class=\"has-orange-color has-text-color\" style=\"text-align: left;\">At least one author of each accepted submission must register for the conference by the early registration deadline in order for the final paper to be published in the conference proceedings.<\/p>\n<p style=\"text-align: left;\"><!-- \/wp:paragraph --><\/p>\n<p style=\"text-align: left;\"><!-- wp:heading {\"textColor\":\"orange\"} --><\/p>\n<h2 class=\"wp-block-heading has-orange-color has-text-color\" style=\"text-align: left;\">Previous Pictorial Examples<\/h2>\n<p style=\"text-align: left;\"><!-- \/wp:heading --><\/p>\n<p style=\"text-align: left;\"><!-- wp:heading {\"level\":6,\"textColor\":\"orange\"} --><\/p>\n<p class=\"wp-block-heading has-orange-color has-text-color\" style=\"text-align: left;\"><strong>Pictorials from TEI 2023:<\/strong><\/p>\n<p style=\"text-align: left;\"><!-- \/wp:heading --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list {\"textColor\":\"orange\"} --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\"><!-- wp:list-item --><\/ul>\n<\/li>\n<\/ul>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Elzelinde Van Doleweerd, and Miguel Bruns Alonso. 2023. <a href=\"https:\/\/doi.org\/10.1145\/3569009.3572791\">The Creation of a Holistic Interactive DiningExperience with Shape-Changing Food Materials at Restaurant Alchemist<\/a>.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Mafalda Gamboa, Sara Ljungblad, and Miriam Sturdee. 2023. <a href=\"https:\/\/doi.org\/10.1145\/3569009.3572793\">Conversational Composites: A Method for Illustration Layering.<\/a><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Yi Ling (Ellie) Tai, Jason Ng, Nandini Pasumarthy, Deepti Aggarwal, and Rohit Ashok Khot. 2023. <a href=\"https:\/\/doi.org\/10.1145\/3569009.3572794\">Rethinking Domestic Food Consumption through a Multi-modal Open Pantry<\/a>.\u00a0<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>M\u00e9lodie Jacob, Ida Damen, and Carine Lallemand. 2023. <a href=\"https:\/\/doi.org\/10.1145\/3569009.3572795\">Exploring the Embodied Experience of Walking Meetings through Bodystorming \u2013 Implications for Design<\/a>.\u00a0<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Daniel Gagnon-King, Lee Jones, and Sara Nabil. 2023. <a href=\"https:\/\/doi.org\/10.1145\/3569009.3572796\">INTERACTIVE STAINED-GLASS: Exploring a new design space of traditional hybrid crafts for novel fabrication methods<\/a>.\u00a0<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Mafalda Gamboa. 2023. <a href=\"https:\/\/doi.org\/10.1145\/3569009.3572797\">My Body, My Baby, and Everything Else: An Autoethnographic Illustrated Portfolio of Intra-Actions in Pregnancy and Childbirth<\/a>.\u00a0<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Sof\u00eda Guridi, Emmi Pouta, Ari Hokkanen, and Aayush Jaiswal. 2023. <a href=\"https:\/\/doi.org\/10.1145\/3569009.3572798\">LIGHT TISSUE: Development of cellulose-based optical textile sensors<\/a>.\u00a0<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Jacob Buur, Mary Karyda, Mette Gislev Kj\u00e6rsgaard, Jessica Sorenson, Ay\u015fe \u00d6zge A\u011f\u00e7a, and Michela Antonelli. 2023. <a href=\"https:\/\/doi.org\/10.1145\/3569009.3572799\">A Collection of Tangible Theory Instruments for Design Anthropology<\/a>.\u00a0<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Sark Pangrui Xing, Bart Van Dijk, Pengcheng An, Miguel Bruns, Yaliang Chuang, and Stephen Jia Wang. 2023. <a href=\"https:\/\/doi.org\/10.1145\/3569009.3572800\">Puffy: A Step-by-step Guide to Craft Bio-inspired Artifacts with Interactive Materiality<\/a>.\u00a0<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Hye Yeon Nam, JaNiece Campbell, Andrew M. Webb, and Brendan Harmon. 2023. <a href=\"https:\/\/doi.org\/10.1145\/3569009.3572801\">FloraWear: Wearable Living Interface<\/a>.\u00a0<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Dean Brown, Liliana Ovalle, and Naho Matsuda. 2023. <a href=\"https:\/\/doi.org\/10.1145\/3569009.3572802\">A Practice-Based Approach to Post-Human Computer Interaction: Design Notes from Nature Scenes<\/a>.\u00a0<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Dianya Mia Hua, Jeffrey Bardzell, and Shaowen Bardzell. 2023. <a href=\"https:\/\/doi.org\/10.1145\/3569009.3572803\">Embodied Embroidery: Somaesthetic Interaction Design for Women&#8217;s Masturbation<\/a>.\u00a0<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Sandra Monica Camara Olim, Valentina Nisi, and Elisa Rubegni. 2023. <a href=\"https:\/\/doi.org\/10.1145\/3569009.3572804\">\u201cPeriodic Fable Discovery\u201d Using Tangible Interactions and Augmented Reality to Promote STEM Subjects<\/a>.\u00a0<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Fiona Bell, Derrek Chow, Hyelin Choi, and Mirela Alistar. 2023. <a href=\"https:\/\/doi.org\/10.1145\/3569009.3572805\">SCOBY BREASTPLATE: SLOWLY GROWING A MICROBIAL INTERFACE<\/a>.\u00a0<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Kim Sauv\u00e9, Pierre Dragicevic, and Yvonne Jansen. 2023. <a href=\"https:\/\/doi.org\/10.1145\/3569009.3572807\">Edo: A Participatory Data Physicalization on the Climate Impact of Dietary Choices<\/a>.\u00a0<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Sydney Pratte, Anthony Tang, Shannon Hoover, Maria Elena Hoover, Matt Laprairie, Catherine Larose, and Lora Oehlberg. 2023. <a href=\"https:\/\/doi.org\/10.1145\/3569009.3573899\">Towards a Design Space for Storytelling on the Fashion Technology Runway<\/a>.\u00a0<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- \/wp:list --><\/p>\n<p style=\"text-align: left;\"><!-- wp:heading {\"level\":6,\"textColor\":\"orange\"} --><\/p>\n<p style=\"text-align: left;\">\u00a0<\/p>\n<p class=\"wp-block-heading has-orange-color has-text-color\" style=\"text-align: left;\"><strong>Pictorials from TEI 2022:<\/strong><\/p>\n<p style=\"text-align: left;\"><!-- \/wp:heading --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list {\"textColor\":\"orange\"} --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\"><!-- wp:list-item --><\/ul>\n<\/li>\n<\/ul>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Steven Alan Scott, Awais Hameed Khan, and Ben Matthews. 2022. <a href=\"http:\/\/doi.org\/10.1145\/3490149.3502259\">First Impressions: A Visual Catalogue for Understanding Interactions with Novel Interfaces in Augmented Reality<\/a>.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Karen Anne Cochrane, Kristina Mah, Anna St\u00e5hl, Claudia N\u00fa\u00f1ez-Pacheco, Madeline Balaam, Naseem Ahmadpour, and Lian Loke. 2022. <a href=\"http:\/\/doi.org\/10.1145\/3490149.3502262\">Body Maps: A Generative Tool for Soma-based Design<\/a>.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Bruna Goveia da Rocha, Janne Spork, and Kristina Andersen. 2022. <a href=\"http:\/\/doi.org\/10.1145\/3490149.3502261\">Making Matters: Samples and Documentation in Digital Craftsmanship<\/a>.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Johanna Gramlich, Selina Pauli, Stephan Huber, Cordula Baur, and J\u00f6rn Hurtienne. 2022. <a href=\"http:\/\/doi.org\/10.1145\/3490149.3502260\">Fin, Whale, Coin and Flatterer: Exploring Tangibles for Air Traffic Control<\/a>.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Rikke Hagensby Jensen, Enrique Encinas, and Dimitrios Raptis. 2022. <a href=\"http:\/\/doi.org\/10.1145\/3490149.3502257\">Spicing It Up: From Ubiquitous Devices to Tangible Things Through Provocation<\/a>. (BEST PICTORIAL AWARD)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Kunihiro Kato, Kaori Ikematsu, Yuki Igarashi, and Yoshihiro Kawahara. 2022. <a href=\"http:\/\/doi.org\/10.1145\/3490149.3502253\">Paper-Woven Circuits: Fabrication Approach for Papercraft-based Electronic Devices<\/a>.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Rohit Ashok Khot, Jason Ng, and Deepti Aggarwal. 2022. <a href=\"http:\/\/doi.org\/10.1145\/3490149.3502252\">Crafting Tangible Interfaces for Human Digestion: Unpacking the Research through Design Prototyping Journey<\/a>.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Rohit Ashok Khot, Jung-Ying (Lois) Yi, and Deepti Aggarwal. 2022. <a href=\"http:\/\/doi.org\/10.1145\/3490149.3502256\">Designing for Microbreaks: Unpacking the Design Journey of Zenscape<\/a>.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Hubert Maximilaan Smeitink and Joep Frens. 2022. <a href=\"http:\/\/doi.org\/10.1145\/3490149.3502254\">Domino: Twin interfaces to unveil the influence of personality traits on usability<\/a>.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Claudia N\u00fa\u00f1ez-Pacheco. 2022. <a href=\"http:\/\/doi.org\/10.1145\/3490149.3502255\">Dialoguing with Tangible Traces: A Method to Elicit Autoethnographic Narratives<\/a>.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\" style=\"text-align: left;\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li>Dominic Potts, Martynas Dabravalskis, and Steven Houben. 2022. <a href=\"http:\/\/doi.org\/10.1145\/3490149.3502263\">TangibleTouch: A Toolkit for Designing Surface-based Gestures for Tangible Interfaces<\/a>.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list-item --><\/p>\n<p style=\"text-align: left;\"><!-- wp:list-item --><\/p>\n<ul class=\"has-orange-color has-text-color\">\n<li style=\"list-style-type: none;\">\n<ul class=\"has-orange-color has-text-color\">\n<li style=\"text-align: left;\">Julia van Zilt, Amy Winters, Hannah Carlotta Kelbel, and Miguel Bruns. 2022. <a href=\"http:\/\/doi.org\/10.1145\/3490149.3502258\">The design process of a multi-disciplinary tool for developing interactive textiles<\/a>. \u00a0<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><!-- \/wp:list-item --><\/p>\n<p><!-- \/wp:list --><\/p>\n<p><!-- wp:heading {\"textColor\":\"orange\"} --><\/p>\n<h2 class=\"wp-block-heading has-orange-color has-text-color\">Pictorial Chairs<\/h2>\n<p><!-- \/wp:heading --><\/p>\n<p><!-- wp:paragraph {\"textColor\":\"orange\"} --><\/p>\n<p class=\"has-orange-color has-text-color\">Samuel Huron, Institut Polytechnique de Paris, France<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph {\"textColor\":\"orange\"} --><\/p>\n<p class=\"has-orange-color has-text-color\">Zhuying Li, Southeast University, China<\/p>\n<p class=\"has-orange-color has-text-color\">\u00a0<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph {\"textColor\":\"orange\"} --><\/p>\n<p class=\"has-orange-color has-text-color\"><a href=\"mailto:pictorial_chairs@tei.acm.org\">pictorial_chairs@tei.acm.org<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Important Dates Event Deadline Abstract deadline July 25, 2023 AoE Full submission deadline August 1, 2023 AoE Notification of conditional acceptance October 9, 2023 AoE Camera-ready deadline November 15, 2023 AoE TEI 2024 conference February 11-14, 2024 Check your local time in AoE. Full papers and pictorials published at TEI 2024 are ACM archival publications [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-61","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Call for Pictorials - TEI 2024<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tei.acm.org\/2024\/index.php\/call-for-pictorials\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Call for Pictorials - TEI 2024\" \/>\n<meta property=\"og:description\" content=\"Important Dates Event Deadline Abstract deadline July 25, 2023 AoE Full submission deadline August 1, 2023 AoE Notification of conditional acceptance October 9, 2023 AoE Camera-ready deadline November 15, 2023 AoE TEI 2024 conference February 11-14, 2024 Check your local time in AoE. 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